This blue and white character dish is made in Jingdezhen, China, the porcelain center of the world.
The center medallion shows the Sanskrit character for "Om" (sacred syllable), and two tiers of a stylized version of the same character decorate the cavetto. The glazed base shows a simple character which is likely to be the studio name. Although there is one obvious hairline on it, this blue and white dish of my collection is very rare and impossible to find elsewhere.
Diameter : 15.5cm.
Tuesday, June 28, 2011
Wednesday, June 22, 2011
Box Irons Or Charcoal Irons
From my research, no one can exactly tell when people started trying to press cloth smooth. But it is believed, Chinese during the ancient time were using hot metal for ironing before anyone else. Pans filled with hot coals were pressed over stretched cloth (Pans as shown in pictures below). Thousand years ago, this method was already well established.
Meanwhile people in Northern Europe were using stones, glass and wood for smoothing. These continued in use for ironing in some places into the mid 19th century, long after Western blacksmiths started forging simple flat irons in the late Middle Ages. Plain metal irons were heated by a fire or on a stove. Flat irons were also called sad irons or smoothing irons. Metal handles had to be gripped in a pad or thick rag. Some irons had cool wooden handles and in 1870 a detachable handle was patented in the US. This stayed cool while the metal bases were heated and the idea was widely imitated. The "sad" in sad iron (or sadiron) is an old word for solid, and in some contexts this name suggests something bigger and heavier than a flat iron.
You'd need at least two irons on the go together for an effective system: one in use, and one re-heating. Large households with servants had a special ironing-stove for this purpose. Some were fitted with slots for several irons, and a water-jug on top.
At home, ironing traditional fabrics without the benefit of electricity was a hot, arduous job. Irons had to be kept immaculately clean, sand-papered and polished. They must be kept away from burning fuel, and be regularly but lightly greased to avoid rusting. Beeswax prevented irons sticking to starched cloth. Constant care was needed over temperature. Experience would help decide when the iron was hot enough, but not so hot that it would scorch the cloth.
If you make the base of your iron into a container, you can put glowing coals inside it and keep it hot a bit longer. This is called charcoal iron. It has hinged lid and the air holes to allow the charcoal to keep smouldering (as shown in the pictures below). These are sometimes called ironing boxes, or charcoal box irons, and may come with their own stand.
For centuries, charcoal irons have been used in many different countries. When they have a funnel to keep smokey smells away from the cloth, they may be called chimney irons (as shown in the picture below).
Antique charcoal irons are attractive to many collectors, while modern charcoal irons are manufactured in Asia and also used in much of Africa. Some of these are sold to Westerners as reproductions or replica "antiques" (as shown in the picture below).
Some irons were shallower boxes and had fitted "slugs" or "heaters" (slabs of metal) which were heated in the fire and inserted into the base instead of charcoal. It was easier to keep the ironing surface spotlessly clean, away from the fuel, than with flat irons or charcoal irons. Brick inserts could be used for a longer-lasting, less intense heat. These are box or slug irons, once known as ironing boxes too. In some countries, they are called ox-tongue irons after a particular shape of insert.
Late 19th century, iron designs were experimented with heat-retaining fillings. Designs of this period became more and more ingenious and complicated, with reversible bases, gas jets and other innovations. By 1900, there were electric irons in use all around the world.
Meanwhile people in Northern Europe were using stones, glass and wood for smoothing. These continued in use for ironing in some places into the mid 19th century, long after Western blacksmiths started forging simple flat irons in the late Middle Ages. Plain metal irons were heated by a fire or on a stove. Flat irons were also called sad irons or smoothing irons. Metal handles had to be gripped in a pad or thick rag. Some irons had cool wooden handles and in 1870 a detachable handle was patented in the US. This stayed cool while the metal bases were heated and the idea was widely imitated. The "sad" in sad iron (or sadiron) is an old word for solid, and in some contexts this name suggests something bigger and heavier than a flat iron.
You'd need at least two irons on the go together for an effective system: one in use, and one re-heating. Large households with servants had a special ironing-stove for this purpose. Some were fitted with slots for several irons, and a water-jug on top.
At home, ironing traditional fabrics without the benefit of electricity was a hot, arduous job. Irons had to be kept immaculately clean, sand-papered and polished. They must be kept away from burning fuel, and be regularly but lightly greased to avoid rusting. Beeswax prevented irons sticking to starched cloth. Constant care was needed over temperature. Experience would help decide when the iron was hot enough, but not so hot that it would scorch the cloth.
If you make the base of your iron into a container, you can put glowing coals inside it and keep it hot a bit longer. This is called charcoal iron. It has hinged lid and the air holes to allow the charcoal to keep smouldering (as shown in the pictures below). These are sometimes called ironing boxes, or charcoal box irons, and may come with their own stand.
For centuries, charcoal irons have been used in many different countries. When they have a funnel to keep smokey smells away from the cloth, they may be called chimney irons (as shown in the picture below).
Antique charcoal irons are attractive to many collectors, while modern charcoal irons are manufactured in Asia and also used in much of Africa. Some of these are sold to Westerners as reproductions or replica "antiques" (as shown in the picture below).
Some irons were shallower boxes and had fitted "slugs" or "heaters" (slabs of metal) which were heated in the fire and inserted into the base instead of charcoal. It was easier to keep the ironing surface spotlessly clean, away from the fuel, than with flat irons or charcoal irons. Brick inserts could be used for a longer-lasting, less intense heat. These are box or slug irons, once known as ironing boxes too. In some countries, they are called ox-tongue irons after a particular shape of insert.
Late 19th century, iron designs were experimented with heat-retaining fillings. Designs of this period became more and more ingenious and complicated, with reversible bases, gas jets and other innovations. By 1900, there were electric irons in use all around the world.
Thursday, June 16, 2011
Chinese Steelyard Balance Scale
The steelyard balance scale is a Chinese invention. As early as 200 B.C., China began to make a scale of this type big enough to weigh several hundred pounds.
The steelyard consisted of the following parts: an arm, a hook, lifting cords and a weight. The arm or beam measured about 1.5 metres long, graduated with the weight units 'Jin' (斤) and 'Liang' (两). The hook, hanging from one end of the arm, was used to lift up the object to be weighed. Hanging from the other part of the arm was the free moving weight, attached on a looped string. On the arm was fixed one, two or three lifting cords, placed much closer to the hook than to the other end. Anything to be weighed should be picked up by the hook, while the weigher lifted up the whole steelyard, holding one of the cords. The weight, then will be slided left or right until a perfect balance of the beam found. Then the weight from the graduation mark on which the weight-string rested will be read.
This kind of steelyard is still in widespread use at market gatherings in China. They may be made in varying sizes working by the same principle, with the large ones to weigh food grain in bulk, pigs or sheep or their carcasses, and medium-sized ones for smaller transactions. There is also a miniature steelyard only about one third of a metre (about 1 foot) long, graduated with 'Liang' (两) and 'Qian' (钱), used to weigh medicinal herbs and sliver or gold. It first appeared about 1,000 years ago.
The steelyard is more convenient than the platform scale. Not only can it be carried around easily, but there is also no need for a whole set of weights. Corresponding to the lifting cords are different sets of graduation marks on the arm for different measuring ranges.
Pictures below are the two Chinese steelyard balance scales from my collection.
The steelyard consisted of the following parts: an arm, a hook, lifting cords and a weight. The arm or beam measured about 1.5 metres long, graduated with the weight units 'Jin' (斤) and 'Liang' (两). The hook, hanging from one end of the arm, was used to lift up the object to be weighed. Hanging from the other part of the arm was the free moving weight, attached on a looped string. On the arm was fixed one, two or three lifting cords, placed much closer to the hook than to the other end. Anything to be weighed should be picked up by the hook, while the weigher lifted up the whole steelyard, holding one of the cords. The weight, then will be slided left or right until a perfect balance of the beam found. Then the weight from the graduation mark on which the weight-string rested will be read.
This kind of steelyard is still in widespread use at market gatherings in China. They may be made in varying sizes working by the same principle, with the large ones to weigh food grain in bulk, pigs or sheep or their carcasses, and medium-sized ones for smaller transactions. There is also a miniature steelyard only about one third of a metre (about 1 foot) long, graduated with 'Liang' (两) and 'Qian' (钱), used to weigh medicinal herbs and sliver or gold. It first appeared about 1,000 years ago.
The steelyard is more convenient than the platform scale. Not only can it be carried around easily, but there is also no need for a whole set of weights. Corresponding to the lifting cords are different sets of graduation marks on the arm for different measuring ranges.
Pictures below are the two Chinese steelyard balance scales from my collection.
Saturday, June 11, 2011
Antique Electric Fan
Like other collectibles, vintage electric fans appeal to different people for different reasons. Many prize them as nostalgic reminders of growing up in an era before home air-conditioning became affordable. Others regard antique fans as enduring examples of American industrial technology, as iron-and-steel embodiments of art and design trends. Still, others like me view them as retro interior decorating items.
Pictures below show the electric fan from my collection. This fan can still be used and is in perfect condition.
Pictures below show the electric fan from my collection. This fan can still be used and is in perfect condition.
Monday, June 6, 2011
Cake And Dessert Moulds
The typical Chinese, Peranakan and Malay families has a wide repertoire of sweet cakes and desserts. Copper, metal or wood moulds would be used to make various types of cakes and desserts. This is to produce cakes and desserts with variety of unique shapes and patterns.
Pictures below are the moulds from my collection.
The clappers are etched with animal and flower motifs shown in pictures below.
Moon cake is a Chinese bakery product traditionally eaten during the Mid-Autumn Festival / Zhongqiu Festival (中秋节). The festival is for lunar worship and moon watching. Moon cakes are regarded as an indispensable delicacy on this occasion. Moon cakes are offered between friends or on family gatherings while celebrating the festival. The Mid-Autumn Festival is one of the four most important Chinese festivals.
Pictures below are the example of the moon cake moulds in my collection.
The moulds would leave on top of the cake a raised design of the Chinese characters as shown in the pictures below, along with serrated sides.
Pictures below showing another type of moon cake mould.
Pictures below are the four different types and shapes of Kuih Koya moulds (green bean cookies). The cookies will be served during the Lunar New Year celebrations.
Pictures below showing another type of Chinese wooden cake mould.
Pictures below showing a mini dough roller.
Pictures below are the moulds from my collection.
Brass plate mould with lid for Kuih Bahulu (also known as Kueh Baulu, Kueh Bolu or Kueh Bulu) which is like a mini tea cake similar in consistency with a Madeleine, with a slightly different recipe but very similar methods, which made from flour, sugar and eggs. The batter would be poured into the moulds, which would be sitting on a stove over a charcoal fire. Kuih Bahulu is usually baked during the festive seasons such as Hari Raya and Chinese New Year. This sweet and tasty kuih go very well with coffee, and are always a "crowd pleaser" during the festive seasons.
Kuih Bahulu mould comes in different shapes, but the popular ones are the button and goldfish. The mould also come in different sizes (big and small).
Pictures above are the clapper moulds used for making Kuih Belanda / Kapit or "love letter" biscuits. Batter for the Kuih Belanda / Kapit would be poured over one side of the mould and held flat like a plate over hot charcoal. The handle would be pressed and the upper plate would flatten the batter as it was cooking, resulting in a flat and thin saucer-shaped pancake. This pancake would then be taken off from the mould while it was still soft, and then rolled over to a cylindrical object like a small wooden baton. The result would be a rolled up biscuit in the shape of a cigar as the pancake cooled off and hardened into a crispy biscuit.
The Kuih Belanda / Kapit was notoriously difficult to make as it required deft handling of the clapper moulds to ensure the biscuits were not burnt. It is popularly served during the Lunar New Year and Hari Raya celebrations.
The Kuih Belanda / Kapit was notoriously difficult to make as it required deft handling of the clapper moulds to ensure the biscuits were not burnt. It is popularly served during the Lunar New Year and Hari Raya celebrations.
The clappers are etched with animal and flower motifs shown in pictures below.
Moon cake is a Chinese bakery product traditionally eaten during the Mid-Autumn Festival / Zhongqiu Festival (中秋节). The festival is for lunar worship and moon watching. Moon cakes are regarded as an indispensable delicacy on this occasion. Moon cakes are offered between friends or on family gatherings while celebrating the festival. The Mid-Autumn Festival is one of the four most important Chinese festivals.
Pictures below are the example of the moon cake moulds in my collection.
Moon cake moulds are custom-made with the insignia or design of the baker. Customers sought out moon cakes from reputable bakers and so it was important for them to be able to identify the source of each moon cake. Also, moon cakes tended to be given as gifts, so again, branding was essential, particularly if the brand was an esteemed one.
The moulds would leave on top of the cake a raised design of the Chinese characters as shown in the pictures below, along with serrated sides.
Pictures below showing another type of moon cake mould.
Pictures below are the four different types and shapes of Kuih Koya moulds (green bean cookies). The cookies will be served during the Lunar New Year celebrations.
Pictures below showing another type of Chinese wooden cake mould.
Pictures below showing a mini dough roller.
Subscribe to:
Posts (Atom)